Showing posts with label tommy lee jones. Show all posts
Showing posts with label tommy lee jones. Show all posts

Thursday, March 13, 2008

No Country for Old Men


The Coen brothers lastest opus is an adaptation of a Cormac McCarthy novel so one should keep that in mind when viewing No Country for Old Men. Much of the complaints that I've heard from people are valid, yet I still enjoyed the film and the ending. The obligation to keep it faithful to the book does box the Coens in though.

Basically, this is another tale like A Simple Plan of a fellow named Llewelyn (Josh Brolin) that stumbles onto a drug deal gone wrong. Llewelyn finds the case of cash close by and attempts to start his life over. The only problem is that he goes back to the grant the wish of the last man standing for water. This time, people are waiting for him. So the film quickly turns into chase movie with Llewelyn being persued by the Mexicans selling the drugs and Anton Chigirh (Javier Bardem). Anton is the hired enforcer of a mysterious business man (Stephen Root looking for more than his Swingline stapler).

Soon, the mysterious man determines that his enforcer is off his rocker after Anton racks up an Arnold-like body count in Texas. So he sends ex-army mercenary named Carson Wells (Woody Harrelson) to secure the loot and take care of Anton. All the while, Sherrif Ed Tom Bell (Tommy Lee Jones) is trying hard not to take an interest in all this murder in his county. Ed Tom believes in avoiding sticking your nose into serious cases or else you too could be become involved.

All of the actors, even the small parts (Garret Dillahunt from Deadwood in particular), are well cast and acted. My chief complaint rests in the limits of the book and that is the underdeveloped Woody Harrelson role. The man chews the scenery everytime he comes on screen and you want his character to take care of all the ugliness unfolding, but as quickly as he enters he leaves. Another problem with the film is the climax. Having not read the book, the inevitable clash between Llewelyn and Anton has to take place on screen. In the film, their final battle isn't shown and really isn't addressed. The films does reach a conclusion that is satisfying and rather fitting, but the Coens set us up throughout for what seemed to be terrific climax worthy of LA Confidential like cred. Llewelyn who also was ex-army seems the perfect foil for Bardem's Anton and you want to see it play out. Javier Bardem has the flashy role, but Josh Brolin deserved the Oscar nod. I haven't seen him get a meaty role like this before, but he nails this one.

No Country for Old Men moves swiftly for its two hour running time. I'm not sure how much is cut out of the book, but there seems to be missing some meat on the bones. I definitely would have been okay with another twenty minutes of story. That being said, I did have a good time watching it... maybe too good of a time and that's why I wanted more with the characters. This is a flawed movie... but a good one.

85/100

Monday, March 10, 2008

In the Valley of Elah


I wanted to like this film with all my heart. Crash was a solid directorial debut from Paul Haggis and the cast for his follow up was top notch. Everything seemed right for him to just keep swinging for the fences. Alas, the Goliath plot amounts to little more than an actors showcase.

Tommy Lee Jones plays Hank Deerfield a former MP looking for his missing son (Jonathan Tucker) just back from the war in Iraq. During the course of his inquiry, he butts heads with a cop (Charlize Theron) and an army investigator (Jason Patric). The army feels as if they might be trying to cover something up, but what? The plot is the underlying problem. Paul Haggis seems to be trying to make a message film about our country while not chastising our military. It all seems to be too neat and tidy without the satisfaction.

The performance of Tommy Lee Jones was rightly nominated since his is the foundation upon with this film stands. Without Jones, the entire missing son plot would amount to little more than a Law & Order episode. Jason Patric brings his all as well... but it is curious since he is so forceful you might think he actually has something to do with it all. No... he just reminds you of what a good actor can do even in a nonessential part. Cameo performances from Josh Brolin, Brent Briscoe, and James Franco also add some fuel (or red herrings) to the fire.

Haggis seems to have set himself up and gotten lost on where he was going. Yeah we know the war in Iraq is messed up Paul... just like we knew race relations were in Crash... but you've gotta give us more than that. I think of something like Syriana which was able to be a message film, but was so much more in the big picture. Haggis needs to take notes from fellow acclaimed screenwriter/director Steven Gaghan was able to do on his second project. You've got to have that emotional climax or payoff after setting up an audience.

60/100

* This just made me miss Jason Patric even more.